
Bassett
Tower. Image provided by the
El Paso Public Library.
O.T. Bassett
Tower
El Paso, Texas
Research Packet and Narrative by:
Angelica Ruiz
Dr. George D. Torok
Honors Project
Spring 2002
National Endowment for the Humanities Historical
Markers Project
O. T. Basset Tower
At one time the tallest building in El
Paso, the O.T. Bassett Tower rises fifteen stories at the northeast
corner of Texas Avenue and Stanton Street. Charles N. Bassett built the
Bassett Tower as a memorial to his father, Oscar T. Basset, a pioneer El
Pasoan who was one of the founders of El Paso’s first bank, The State
National Bank of El Paso, which was organized in March 1881. Henry C.
Trost was commissioned to design the building. The Art Deco
Architecture of the Southwest is present in the Bassett Tower. The
style was popular briefly in the late 1920s and 1930s, and it is
enjoying resurgence in popularity in architecture, furniture and
accessories. Certainly, it was the newest thing around when Henry Trost
drew the designs for the tower and its eight ground-floor storefronts
(his last building for El Paso). This building is two hundred and
fifteen foot nine-inch classic of the art deco style. Art deco gets its
name from the design exhibition that influenced it –the 1925 Exposition
International des Arts Decoratifs et Industriels Modernes in Paris. The
term has come to mean, generally, the art movement that features
streamlined shapes and geometric proportions, both being employed to
emphasize the fine quality of the construction materials. Construction
began in 1929 on the Bassett tower, a design from the drawing board of
the stellar light of the El Paso architectural firm of Trost and Trost
in what was described as “modern set back style.” (For many years, that
style was called “Modernistic” but, by common consent, has come to be
known as art deco).
The tower, measuring sixteen stories plus
a basement, was built of reinforced concrete by R. E. McKee Construction
Co. for Charles N. Bassett. Who was president of the State National
Bank. Bassett called the building a memorial to his father O. T.
Basset, pioneer El Paso banker and lumberman who had been a Civil War
veteran at age fourteen. It was announced that the Bassett Tower would
be one hundred and eighty feet and with thirteen floors, would cost and
estimated of $500,000 (later two stories were added). Two hundred
offices were to be included, arranged into suites so they could be
grouped as desired. Eight stores would occupy the ground floor. Such
innovations as automatic elevators and circulating ice water were
included in the Trost’s plans. The tower’s setback design is similar to
a New York City structure that epitomizes art deco, the Chrysler
Building.
Retired El Paso architect Louis Daeuble
cites the tower, with its geometric lines and metal ornamentation, as El
Paso’s outstanding example of art deco. The Bassett tower’s single most
striking feature is that its architecture is finished for all sides,
unusual for its time. Ten stylized stone eagles, reminiscent of
gargoyles arrayed around medieval classics in Europe, stand guard around
the perimeter of the top most setback, just below the tower’s copper
roof. The twenty-four feet square lobby is typical Trost with floors and
pilasters of marble and coffered ceiling. Tradition has it that the
sculptured portrait above the entrance, a balding, round-faced man with
a walrus mustache, is Henry Trost himself; however, there’s a chance
that it is the senior Bassett. Probably it’s just some balding,
round-faced man, with a gesture typical of Trost’s sense of humor.
Basset tower was originally designed to be a commercial office
construction. For more than seventy-two years has been served as an
office building.
This building construction was finished
in 1930. The Bassett tower is unique for its architectural design,
based on Art Deco (popular style in the late 1920s and 1930s). Art deco
was influenced for the classic style used in Paris. The tower’s single
most striking feature is the fact that it was designed as a finished
building from all sides. At this period that type of construction was
unusual. Another characteristic is its main lobby’s doors made of
bronze. Ten eagle sentries guard the 15th floor. The
mustachioed face over the main entrance is reputed to be that of Henry
C. Trost himself.
Originally, two hundred offices were to
be included, arranged into suites so they could be grouped as desired.
Eight stores would occupy the ground floor. Today, the building has the
same use as stores and commercial offices.